Disguise Is Often Presented as a Cruel and Painful Practice. to What Extent Do You Agree That Disguise Is Used to Create Comic Moments in Twelfth Night?

Disguise is often presented as a cruel and galled practice. To what extent do you agree that disguise is used to defecate comic moments in twelfth night? Shakespeare incorporates the technique of disguise in the twelfth night to create comedic ingredients in the receive however about may argue that the concept of disguise is often cruel as it creates sloppiness and misconceptions that could lead to serious consequences. In Shakespearian times the role of women was restricted to usu eachy their own homes and this was the fount on the stage in Shakespeares plays.All of the actors were men even in the women roles. This could be one of the outset techniques of disguise that Shakespeare used that could portray drollery as a piece of music in a womanish role is comedic however, it also puts across confusion especially in plays analogous the twelfth night where reference books like genus genus Viola plays a role as a male persona. Viola is the main and obvious element of disgui se in the twelfth night. She creates the comic aspect of the play as dramatic irony is show because none of the characters know that Cesario, the person who she has created through her disguise, is really a woman.Her character creates a sort of applaud triangle between her, Olivia and Orsino just she can reveal nothing in fear of exposing her individuality, whoeer I woo, myself would be his wife (Act 1 Scene 4). The cruel and painful practice is uncovered through this as Olivia doesnt know that the person she is falling for is in situation a women and Viola can do nothing to let her know this, leading Olivia on into something that cant happen. This is also the case with Viola as she cant proclaim her love for Orsino.Shakespeare creates torment mainly in the mind of Viola as the fate is ultimately in her hands just the disguise has restricted her. The constraint of her individuation is a problem or arguably the comedic side of the twelfth night. In act 3 panorama 4 Sir Toby c reate a duel between Sir Andrew and Viola against both their wills, Sir Andrew and Viola surpass their swords. The disguise has bypast against her as all the on looking characters believe that Sir Andrew is fighting a man when it is actually a woman which no one would consider fair, another example of where the hidden identity leads to a cruel practice.The idea of Viola dressing up as a man in the premiere place could also be considered a cruel practice as it shows that she is aware that her worldness a women she may be disregarded socially which is why she determines on the disguise in the first place, this highlights the patriarchal society in Shakespearian times that reflects on the play. Malvolio is another character who takes on some sort of disguise in the hope of pleasing the supposed wishes of his lady Olivia, I thank my stars, I am happyI will be strange, stout, in yellow stockings, and cross gartered, even with the secureness of putting on. Jove and my stars be prai sed (Act 2 Scene 5). Maria, Sir Toby, Sir Andrew and Feste all trick Malvolio into wearing the clothes that lady Olivia hates and Malvolio creation naive and arrogant falls for this. The outcome was meant to be comedic for Maria and her friends and the audience also share the laughs plain because of foolishness of Malvolio and the new dress sense he takes.The way in which this drollery came about however, came from a very malicious plan orchestrated by Maria as the idea of trickery was compound which caused Malvolio to believe that Lady Olivia loves him. The audience who also share the comedy cant help but feel some sort of remorse for Malvolio. Malvolio putting on the cross gartered yellow socks lead him to being put away in the so called prison. Feste takes the role of Sir Topas the priest in order to trick Malvolio into mentation that he has gone insane, Sir Topas the curate, who comes to visit Malvolio the lunatic (Act 4 Scene 2).The room in which Malvolio is locked into i s dark so he couldnt see if it were actually Sir Topas even though we know it isnt. Feste didnt have to take the disguise of Sir Topas but rather just sound like him, this shows the effect of a disguise as he chooses to dress like the priest to possibly get into character to portray the character much clearly. This is very cruel as Feste uses trickery and confusion to show Malvolio to be something hes not and also make him believe that a Priest is consulting him.Ultimately the technique of disguise is often used to create a hidden identity and confusion between characters, Shakespeare however, uses this technique to create comic elements as well. As brought up before we find that the sexual confusion love triangle between Olivia, Orsino and the Viola/Cesario character creates comedy. Olivia as we know falls for Cesario whos a women, but we also find that Orsino may be attracted to Cesario in a way, in plain terms this is acceptable as shes a women but he addresses her as a male whi ch raises the question of what Shakespeare is trying to outline.This is shown That say thou art a man Dianas lip Is not more smooth and rubious thy small pipe Is as the maidens organ, shrill and sound, And all is semblative a womans part (Act 1 Scene 4). Shakespeare may be trying to achieve something more than comedy by saying that disguise may bring out other elements. The other aspect of comedy was explored when Malvolio was tricked by the letter into wearing the disguise which consequently caused the imprisonment of him, which could then be argued is a painful practice.The disguise of Viola also causes the cruel treating of Antonio as he claims to have been with Viola/Cesario for 3 months and that they were together when they came to the town and Orsino and Viola clearly know that she has been working with Orsino, the confusion between Viola and Sebastian because of the disguise is spare To twenty-four hours, my lord and for three months before no intrim, not a minutes vacancy, both day and night did we keep company (Act 5 Scene 1).When all disguises from Violas to Festes and the terra firma behind Malvolios disguise is all revealed Shakespeare once again brings order after all had gone astray. There is no comic factor when all is exposed but there is in fact a sense of sorrow for Malvolio as everyone is happy apart from him. This could show that there is no positives in disguise and eventually it will lead to a cruel ending in this case Malvolio suffered the consequences.